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But that ending is also most deeply Christmassy in being childish. And what is Christmas but childish ? For indulging children, of course, but also for putting aside the sterner parts of our adult selves, the officious, regulating, tasteful parts. It is impossible to have a tasteful Christmas and a good one. You have to choose one or the other. Christmas is a time of self indulgence and merry making. It requires a degree of tastelessness. The characters only spoke when it was necessary for them to move the disjointed plot along (although, one could argue that this was because of the ending), yet it seems Masefield had fun with word play, making the Police Captain and Maria go on longer than needed just for fun.
The play’s director, Justin Audibert, said: “It’s a show that features trains, boats, planes, mythical creatures, a good and a very bad magician, and characters that magically turn into tiny versions of themselves, characters that transform into animals that fly through the air and swim in the sea. How exciting is that?Dreamy and poetic … those descriptions are rather important in The Box of Delights. The novel was first published in 1935, and the author, John Masefield, was poet laureate from 1930 until he died in 1967. His prose trips along like a hallucinogenic daydream at times, especially when Kay takes advantage of the box's powers – he can use it to go swift, to go small, and to fall into the past, where he meets a succession of characters including Herne the Hunter of English folklore. To be fair to the BBC, there was an audience for this stuff. I was a well-mannered bourgeois prep-school boy and I had grown up reading these books: Lewis Carroll and E. Nesbit, Richmal Crompton and A. A. Milne. As children we didn’t understand that these things might be out of date or jar with contemporary mores. These were the kind of stories we were given, so these were the kind of stories we wanted. In fact, the whole book is shot through with a folklorish, mythological flavour, and even the "real" world that Kay inhabits is peopled by a cast of often eerie, mysterious, enigmatic and sometimes downright scary figures. Masefield then, at the drop of a hat, switches between his poetic descriptions and episodes that are downright fairytale-ish or Narnia-esque, with talking animals and mice armed with sewing-needle rapiers. Young Kay Harker, returning from school to his family home Seekings and his festive visitors in the shape of a gang of cousins, is given the Box of the title to care for and protect by a mysterious travelling Punch and Judy man, Cole Hawlings. As is the case in these types of books, the Box is a treasure of such magnitude that by rights it should be entrusted to a private army rather than a small boy, and it isn't long before a gang of crooks with a rather magical bent, led by the dark Abner Brown, are on its trail and menacing Kay and his cousins. Caught up in a battle between two powerful magicians, Kay fights to save not just the people he loves but also the future of Christmas itself.
Tis the night before Christmas and little Kay shall become as small and as fast as a bird! and he shall encounter wolves & wizards & witches & thieves! and he shall visit strange places and he shall enter the past and he shall protect his precious Box of Delights and he shall visit a friendly mouse! and he will deal with all of this with a certain nonchalance because it's not like he hasn't done this sort of thing before!Masefield has a way with a well-turned, memorable sentence: "And now, Master Harker, now that the Wolves are Running, perhaps you could do something to stop their Bite?" At the train station on his way home from school for the Christmas holiday, Kay Harker, the main character of The Box of Delights, encounters a mysterious Punch and Judy man named Cole Hawlings. The two hit if off so well that when Hawlings needs someone to hide and guard his box of delights he entrusts it to Kay. As Kay enjoys the powers given to him by the box - to move swiftly, to shrink, to travel through time - he also becomes aware of a strange series of disappearances around town. Not only have several local clergyman been "scrobbled" but some of Kay's houseguests, Kay's guardian Caroline Louisa, and Cole Hawlings himself have gone missing as well. Kay realizes all of these kidnappings must be attempts to gain access to the box of delights and in trying to protect it, he has a variety of thrilling adventures. There is SO much in this book that I'm surprised editors didn't catch and go, 'hang on a minute...', etc. The Box of Delights is a children's fantasy novel by John Masefield. It is a sequel to The Midnight Folk, and was first published in 1935. It is also known as When The Wolves Were Running. Poet John Masefield's 1935 British Empire-era fantasy finds twelve-year-old Kay Harker home from his boarding school just in time to help a magical old Punch and Judy showman. At least, that seems to be what happens. The plot's pretty convoluted. But the images Masefield conjures up are gorgeous.