Joined in 2023 
82 
63 About this deal
The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner.
Conciseness and Precision: Using the fewest words to convey an idea. This doesn't mean the story is rushed or details are omitted; rather, every element included serves a purpose and contributes to the overall narrative. For the vast majority of filmmakers, we believe the right combination of features, performance, and price can be found in the Zoom H6. Zoom's preamps seem to be all slightly noisy on their own, Not that much to say "this mic is scam", but you know, high enough to say "ok, I know you're there, I'll just fix you if needed".
Built-in Processing and More
when you push the gain dial on a XLR input over 6~7, self noise of preamps will become apparent (can be mitigated if you use something like a Fethead/Cloudlifter) Streamlining Plot: This involves focusing on essential plot points that drive the story forward. Subplots that don't contribute to the central narrative or theme are often minimized or eliminated. The modular approach greatly increases the unit’s flexibility. I’ve used my old Zoom H4 for location recording and it worked well, but I think the H5, like the H6, has taken the versatility to a new level. For film work in particular, the addition of the shotgun and ability to record a couple of lavaliers at the same time, all with different levels, will be welcome. Gain control knob on each input, with protective 'roll-bar' that prevents accidental movement during handling Just 2 AA batteries - either alkaline or rechargeable NiMH - are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, a 2GB SD card can hold approximately fourteen hours of stereo 320kbps MP3 files, three hours of stereo 16-bit/44.1 kHz WAV files, or an hour of stereo 24-bit/96kHz WAV files.
Trimming Excess: During the editing phase, writers look critically at their work to remove any elements that don't serve the story. This might involve cutting redundant scenes, streamlining dialogue, or even removing characters that don't add significant value to the narrative. Internal mics are way too frail, I broke a plastic part already when it fell from only half a meter height Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad Zoom’s H4 has been hugely popular, and with the H5 it seems its few shortcomings have been ironed out. Impactful Storytelling: Ultimately, the goal is to tell a story that is impactful and engaging. By being economical, writers can create a narrative that maintains the audience's interest and delivers a powerful message or experience in a concise manner.
The H5. Versatile Productivity.
Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20 dB pad One standout feature of the H6 is that it can also be used as an audio interface over USB. This means you can plug the USB cable into your computer and the H6, set the menu to "audio interface," and the audio signal will come straight from the H6 into your computer as an input. Note that these are not sensitive enough for direct input of guitar or bass; you’ll need a mixer or effects unit to sufficiently raise their levels. The gain dials are also easily accessible – the mike capsules have their own controls (the X-Y pair has a single stereo volume dial for the L-R channels), while the separate little gain dials for channels 1 and 2 sit below the display.
Related:
Great Deal 
New Comment