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a b c d e f g Rapatzikou, Tatiani (June 17, 2003). "William Gibson". The Literary Encyclopedia. The Literary Dictionary Company. Archived from the original on October 10, 2007 . Retrieved August 27, 2007. Gibson, William (1992). "Introduction to Agrippa: A Book of the Dead". Archived from the original on November 20, 2007 . Retrieved November 11, 2007.
a b Platt, Adam (September 16, 1993). "Cyberhero". The Talk of the Town. The New Yorker. p.24. Archived from the original on February 23, 1999 . Retrieved November 6, 2007. Straylight Run". MTV.com. Archived from the original on October 1, 2007 . Retrieved September 9, 2007. Main articles: Sprawl trilogy, The Difference Engine, and Bridge trilogy The San Francisco–Oakland Bay Bridge, a fictional squatted version of which constitutes the setting for Gibson's Bridge trilogy Gibson is a sporadic contributor of non-fiction articles to newspapers and journals. He has occasionally contributed longer-form articles to Wired and of op-eds to The New York Times, and has written for The Observer, Addicted to Noise, New York Times Magazine, Rolling Stone, and Details Magazine. His first major piece of nonfiction, the article " Disneyland with the Death Penalty", concerning the city-state of Singapore, resulted in Wired being banned from the country and attracted a spirited critical response. [115] [116] He commenced writing a blog in January 2003, providing voyeuristic insights into his reaction to Pattern Recognition, but abated in September of the same year owing to concerns that it might negatively affect his creative process. [117] [118] William Gibson in Bloomsbury, London in September 2007. His fiction is hailed by critics for its characterization of late capitalism, postindustrial society and the portents of the information age. The Finn. A fence for stolen goods and one of Molly's old friends. His office is equipped with a wide variety of sensing and anti-eavesdropping gear. He first appears when Molly brings Case to him for a scan to determine if Armitage has had any implants installed in Case's body. Later in the book, Wintermute uses his personality to talk with Case and Molly. Finn first appears in Gibson's short story " Burning Chrome" and reappears in both the second and third parts of the Sprawl Trilogy.Sci-Fi Writer, High-Tech Marketer on Awards Jury". Mediacaster. April 3, 2008. Archived from the original on January 28, 2013 . Retrieved April 21, 2008. Neuromancer. Wintermute's sibling AI, physically located in Rio de Janeiro. Neuromancer's most notable feature in the story is its ability to copy minds and run them as RAM (not ROM like the Flatline construct), allowing the stored personalities to grow and develop. Unlike Wintermute, Neuromancer has no desire to merge with its sibling AI—Neuromancer already has its own stable personality, and believes such a fusion will destroy that identity. Gibson defines Neuromancer as a portmanteau of the words Neuro, Romancer and Necromancer, "Neuro from the nerves, the silver paths. Romancer. Necromancer. I call up the dead." [8] For Lance Olsen "Gibson becomes the new romancer behind Neuromancer, revitalizing the science fiction novel, the quest story, the myth of the hero, the mystery, the hard-boiled detective novel, the epic, the thriller, and the tales of the cowboy and romantic artist, among others. He represents old stories in a revealing revamped intertexual [sic] pastiche." [9] Gibson, William (2003-09-04). "Neuromancer: The Timeline" . http://www.williamgibsonbooks.com/blog/2003_09_01_archive.asp#1062520986072822474 . Retrieved 2007-11-26. Cover art of volume one of the Tom de Haven and Jensen graphic novel adaptation, published by Epic Comics in 1989.
van Bakel, Rogier (June 1995). "Remembering Johnny". Wired (3.06) . http://www.wired.com/wired/archive/3.06/gibson.html . Retrieved 2008-01-10. Exhibitions, poetry, and performance art [ edit ] Gibson has often collaborated with performance artists such as theatre group La Fura dels Baus, here performing at the Singapore Arts Festival in May 2007.a b Garreau, Joel (September 6, 2007). "Through the Looking Glass". The Washington Post. Archived from the original on August 5, 2016 . Retrieved October 30, 2007. Gibson, William (June 10, 2008). "William Gibson Talks to io9 About Canada, Draft Dodging, and Godzilla". io9 (Interview). Interviewed by Annalee Newitz. San Francisco. Archived from the original on June 11, 2008 . Retrieved June 10, 2008.
a b Brown, Charles N.; William G. Contento (July 10, 2004). "Stories, Listed by Author". The Locus Index to Science Fiction (1984–1998). Locus. Archived from the original on March 4, 2007 . Retrieved October 29, 2007. Gibson, William (July 2005). "God's Little Toys: Confessions of a cut & paste artist". Wired.com. Archived from the original on February 21, 2007 . Retrieved November 4, 2007. a b Parker, T. Virgil (Summer 2007). "William Gibson: Sci-Fi Icon Becomes Prophet of the Present". College Crier. 6 (2). Archived from the original on October 9, 2007 . Retrieved October 14, 2007. Rothman, Joshua (December 9, 2019). "How William Gibson Keeps His Science Fiction Real". The New Yorker. ISSN 0028-792X. Archived from the original on December 16, 2019 . Retrieved December 16, 2019. Lady 3Jane Marie-France Tessier-Ashpool: The shared current leader of Tessier-Ashpool SA, a company running Freeside, a resort in space.In 2017, Gibson's comic/graphic novel Archangel was published. Both Archangel and The Peripheral contain time travel (of sorts), but Gibson has clarified that the works are not related: "They're not 'same universe'. The Splitter and trans-continual virtuality are different mechanisms (different plot mechanisms too)." [78] The next year, Dark Horse Comics began releasing Johnnie Christmas' adaptation of Gibson's Alien 3 script in five parts, [79] resulting in a hardcover collection being published in 2019. [80]
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